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And, Yes 01:09
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Real Beepop 01:53
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Oxygen Oxlip 01:55
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High Lines 02:46
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Add To Ed 01:58
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Paper Talks 02:16
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First Lesson 01:51
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Requiem 03:10
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Besenbinden 02:00
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Beat Beat 02:49
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Und Ja 02:01

about

The newest duo projects of the Austrian trombonist WERNER PUNTIGAM - a) with Swiss guitarrist BEAT KELLER, b) with German drummer GEORG WILBERTZ - are performing freely improvised noisy chamber music. Their big goal is to explore maverick sound options on their instruments with widest dynamical range to create thrilling abstract dialogues and complex soundscapes. At their concerts noises, musical fragments and instrumental sound poems get condensed to an open narrative of the moment, not knowing a beginning or an ending, or any action in the classical sense. The lyrical-poetic expressions open spaces of emotions and associations for the listeners, and push the "story".

biographies
WERNER PUNTIGAM (www.ear-x-eye.info) Freelancing multidisciplinary artist in the fields of music (composition & improvisation / trombone, conch shell, voice & noises), visual arts (photography, video & graphic-design) and interdisciplinary performances & audio-visual installations. Because of his wide range of sounds and experimental playing techniques as well as of his founding and leading of quite a number of unconventional music projects with mostly international line-ups and appearances at many festivals (Europe, Africa, Asia, North America), he was called "alchimist of the sounds" in a press review. For already more than 23 years he's been especially focused on intercultural cooperations, and in 2013 he's been honoured with the 'Grand Upper Austrian Award for Art in the context of Intercultural Dialogue'. Further prizes: Austrian Jazz Competition 1988, nomination for the Preis der Deutschen Schallplattenkritik 1997, Upper Austrian music talents funding 1999. Many CD, radio and tv productions. As interdisciplinary performer and artist he conceives and produces his own multimedia projects, interdisciplinary performances and space and sound installations. Also cooperations with poetry, theater, dance, film, video and fine arts as well as projects for and with children and youth, workshops, adviser and curator activities.

BEAT KELLER (beatkeller.com) Guitarist, multi-instrumentalist, composer and bandleader based in Winterthur, Switzerland and in Berlin. Beat Keller is amongst the important Swiss musicians in the field of experimental and improvised music. Through the exploration of extended playing techniques, guitar tunings and the use of an electric feedbacker guitar, he has developed a unique musical language. Beat Keller has played together with many major exponents of the Swiss and international scenes and performs regularly around the world at festivals and renowned concert venues. (...) Keller’s 10’s debut album won “Best Debut Release 2008 (worldwide)” awarded by the American magazine All About Jazz. Beat Keller is currently a member of the groups Cao-Keller-Siedl (VN, CH, AT), Rough Cave (CH), Bowee-Keller (CH), Tilo Weber’s Animate Repose (DE), Keller’s 10, Gunfire Orchestra (SA, NO, CH) as well as Jason Kahn // Beat Keller (US, CH).


GEORG WILBERTZ plays drums and percussions in the context of freely improvised and contemporary music, a.o. heavily involved in the annual concert series of the 'Musik im Raum' composers collective. Also extraordinary sound performances in duo with Werner Puntigam, e.g. at exhibition openings. Apart from his musical activities: studies of art history, archeology and history in Köln and Vienna. Scientific associate and university lecturer focused on architectural history and theory and urban planning history at several universities and academies (a.o. Universität Wuppertal, RWTH Aachen, TU Wien and JKU Linz). Research and publications about architecture and urban plannings from the 19th century until today.

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released November 25, 2020

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Werner Puntigam - Beat Keller - Georg Wilbertz Linz, Austria

Their big goal is to explore maverick sound options on their instruments with widest dynamical range to create thrilling abstract dialogues and complex soundscapes. At their concerts noises, musical fragments and instrumental sound poems get condensed to an open narrative of the moment, not knowing a beginning or an ending, or any action in the classical sense. ... more

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